Traditional and computer animation has come so far, it is no surprise to find the clayography film Mary and Max is so deeply moving. Adam Elliot wrote, directed, and produced the movie, inspired by his own twenty year “pen friend” relationship with a New Yorker. In Mary and Max, Elliot has crafted an eloquent and sincere depiction of an unlikely friendship. Mary is an oft-teased eight year old girl who lives in Australia with her eccentric parents and a pet rooster. Max is an extremely overweight forty-four year old New Yorker with Asperger’s Syndrome. What they have in common is loneliness, tempered by a love of chocolate and a cartoon series called “The Noblets.” Half a world apart, they cling to their epistolary friendship as they deal with issues of self-esteem, loss, weight-loss, and anxiety. This is not an animated film for children, by any means – it is an expressive film that encompasses an entire life, and how important it is to have a friend.
To voice young Mary Daisy Dinkle, Elliot chose eight year old Bethany Whitmore, and she is an absolute delight. Toni Collette is credited with voicing Mary, but what they really mean is grown-up Mary. I think you’ll agree that young Mary is the one that will stay with you forever. Receiving Mary's letters is Max Jerry Horovitz, perfectly voiced by Phillip Seymour Hoffman. And the animators clearly adore their progeny. The exquisite, painstaking detail in every shot or frame is remarkable. The film’s website boasts that Max’s typewriter was a fully-functioning miniature that required nine weeks of design and construction. That’s more work than the New York skyline, which took two months.
(For more statistics on the production check out www.maryandmax.com, a really lovely website for the film. Bet you can’t guess how much lube they needed.)
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